The Video was created and animated by Marc Houle
Nick Lapien and Robin Kopek return with a modern electronic hypnotic techno track with introspective melodies and a bassline that is both groovy and gentle. The track feels especially open-ended and creative, a kind of instrumental storytelling where new drum patterns float in and out – seven minutes of gorgeous inertia.
About the video, Marc Houle says: “The video is about finding sounds and imagery in everyday life much the same way you can see animals in the clouds. It’s about looking deeper into your surroundings and using music to guide you to appreciating the pareidolia around you.“
“Chimes at Midnight” was released last Friday, 30th April, via Sound of Berlin.
Two unique minds crafting modern-day electronic hypnotism. At the root of Nick Lapien and Robin Koek’s Artefakt project is a shared love for melancholic, hypnotic voodoo music. Their sound is pensive with deep, rich textures; long track lengths—often six-minutes-plus—give the duo an expansive framework in which to make small changes of texture and tone, creating cerebral, balanced atmospheres that absorb and engage.
“Sometimes we just take a short element, like the sound of a falling drop of water, and from this recording we extract the rhythm and use it as a starting point,” they say. “It’s a very organic way of creating new material.” After a period of self-reflection, the Dutch duo returned in 2019 to launch a label with a new EP. De Stijl serves as a platform for their musical explorations and those of their close friends. The imprint’s inaugural EP, Far and Wide, a lesson in dancefloor-ready techno that prioritises mood and melancholy, preceded Monsoon, Artefakt’s second album, this time on Svreca’s mighty Semantica Records.
Across eight tracks, the duo evidenced an intrinsic understanding of rhythmic structures, confirming their status as one of the most singular and emotionally evocative acts in contemporary techno. As a live act, Lapien and Koek have performed all across Europe, North America, and Asia, their analog-heavy set a must-see for fans of melodic and deeply emotive techno. Drawing on their shared love for collecting records, they also perform as DJs, crafting long, hypnotic narratives laced with exclusive material and records from the expensive collections, old and new. Having first crosses paths at university, Lapien and Koek began making music together in 2012. Lapien, whose infectious, swinging house cuts have featured on Rekids, Soul People Music, and DVS1’s Mistress, was just beginning his career as a solo artist; while Koek, who designs his own artistic systems and teaches at dBs Music Berlin, had just earned a Master of Arts from Utrecht’s School of Arts, specializing in Sound Design and Composition.
After releasing two EPs on the legendary Dutch imprint Delsin Records, in 2017 Koek and Lapien presented their debut album, Kinship, cementing their nuanced, atmospheric style while showcasing its breadth. It was the first big step in their ongoing pursuit to adopt techno as an art-form rather than a genre.