King Ludd, the brainchild of seasoned producer and engineer Michael Keire, delivers a blistering debut on “Trouble,” a post-hardcore anthem fueled by tenacity, resilience, and the raw chaos of creation. With influences spanning from Fugazi to The Mars Volta, “Trouble” thrives in tension, embracing a cinematic, narrative-driven structure that transcends traditional song formulas.
The track is born from a deep admiration for the sincerity and drive found in music and art, channeling the energy of punk, the playfulness of experimental noise, and the fearless spirit of “skate and destroy.” Keire crafts an auditory experience where each section unfolds like a scene in a film, utilizing soundscapes and tone as essential storytelling elements.
Featuring Luke Bentham (The Dirty Nil) on lead guitar, Theo Mckibbon (The Trews) on drums, Linnea Siggelkow (Ellis) on backing vocals, Jon Harvey (The Wild High) on bass, Marco Bressette (Dead Tired) on rhythm/lead guitar and even more Hamilton, ON talent,
Stream “Trouble” here: https://kingludd.fanlink.tv/trouble
Watch + share the official “Trouble” music video directed by John Smith whose credits include digital paintings & animations for Taylor Swift’s Eras Tour as well as video art contributions to Netflix’s Song Exploder for Trent Reznor/NIN:
I wanted the song to feel exciting, unpredictable—like stepping into the unknown and embracing the madness. Each part had to serve the moment, not just fit into a verse-chorus mold. Soundscapes and textures matter just as much as melody in evoking a feeling, and I wanted to use every tool available to make that happen. – Michael Keire
“Trouble” marks a significant moment for Keire, who has spent years shaping the music landscape from behind the studio glass. Now stepping into the spotlight, he assembles an all-star cast of collaborators, including Marco Bresette, Jon Harvey, Theo Mckibbon, Adam Bentley, Luke Bentham, Linnea Siggelkow, Thom Hammerton, Dwayne Christie, Aaron “Hutch” Hutchinson, and Connor Bennett.
With decades of experience producing and engineering for the likes of Rheostatics, Cadence Weapon, Arkells, and The Dirty Nil, Keire’s evolution into King Ludd is a testament to his belief in making music for art’s sake—free from commercial constraints, rooted in passion and authenticity.