Lakou Mizik and Joseph Ray release music video for ‘No Rival!’, the latest single off their acclaimed album ‘Leave The Bones’

The fourth single off Lakou Mizik and Joseph Ray’s new album ‘Leave the Bones’, ’No Rival! pays homage to Rara, the music of the Haitian streets. Characterised by frenetic drums and chorused one-note horns, ‘No Rival!’ is full of swagger, just like the bands that march through the towns of the island nation, boasting and toasting and try to outdo one another. ‘No Rival!’ plants a flag in the ground – “Listen up! There’s no better band than Lakou Mizik!”

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Described by NPR as “a mesmerizing, haunting and uplifting journey into the heart of Haitian culture”, ‘Leave the Bones’ was released August 6. A collaboration between the multi-generational Haitian band Lakou Mizik and Grammy-winning electronic music artist Joseph Ray, the album has garnered a wealth of tastemaker support, including the likes of NPR, Billboard, NY Times, The Times, Songlines Magazine, Pete Tong at BBC Radio 1, 6 Music, BBC Radio 3, Gilles Peterson’s Worldwide FM, and Mixmag.

The album followed the release of three incredible singles and videos, ‘Ogou (Pran Ka Mwen)’, ‘Lamizè Pa Dous’ and ‘Bade Zile’, all of which offered a window into the beauty of the rich and vibrant culture of the Haitian people. The album precedes a range of high-profile remixes and a feature-length documentary out later this year. In what has been a tumultuous year for Haiti, Leave the Bones provides a unique insight into the creative heart of the island nation.
Since its inception Lakou Mizik has sought to re-define people’s conceptions of Haiti through its music. The nine piece band, formed in 2010, is emblematic of the melting pot that is Haiti’s musical culture. Lakou’s figurehead, Sanba Zao, one of only ten original Sanba poets left, played a central role in Haiti’s Rasin (roots) movement of the 1980s which sought to re-imagine traditional Haitian Vodou music through radical experimentation with modern instruments. This spirit of Haiti’s rich musical history underpins Lakou Mizik today; a multi-generational genre-blending ensemble that plays traditional Haitian music with a punk energy and a deep sense of their heritage.

Joseph Ray, a Grammy winner and founding member of the pioneering Platinum selling electronic music trio, NERO, had never heard of Lakou when he arrived in Haiti in 2015, having volunteered to teach a course at Haiti’s only music production and audio engineering school, the Artist’s Institute. Ray stumbled on Lakou at a tiny beach side club in Jakmel; the scene that night was frenetic and ecstatic, evocative of the spirit of Ray’s early electronic music clubbing experiences. The band’s organic power entranced Ray, who saw the possibility of merging his cinematic electronic production style with Lakou’s own traditional dance rhythms. Their subsequent six year journey led to Leave the Bones, teaching Ray more about himself and music than any other period in his life.
Ray had initially wanted to sample the band, and overlay them on traditional 4×4 electronic beats, but he realized this approach would not evoke the spirit he was so captivated by. Lakou’s organic style needed more room to stretch and breathe, and the album became far more collaborative and deeper in scope. Ray was forced to rethink his approach, learning how to produce and engineer for a nine piece band. He incorporated new time signatures to capture Lakou’s complex drum patterns, lacing in 1930s field recordings from ethnomusicologist Alan Lomax and replacing synth sounds with Mbrias and conch shell samples that he stretched.

By way of preview, Leave the Bones weaves us through the euphoric swagger of No Rival! and the the mystical underworld of Bade Zile (Under the Island), yet offers lessons for the living, reminding us we should not underestimate those who seem easy to walk upon on Zeb Atè (Grass of the Earth), and that we are all one people, Nou Tout Se Moun.
Leave the Bones is a record that sounds like it could come from nowhere else, and while its rhythms undoubtedly possess a universal danceability, their meaning and depth are also unique to Haiti. It’s powerful to imagine these tracks being played on dancefloors in Miami, London or Ibiza, transporting people from around the world, inviting them to dance, celebrate and get lost in the richness of Haiti, if only for a moment.

If you’ve read the news recently, you will have seen that this month, Haiti’s Tiburon Peninsula was struck by a magnitude 7.2 earthquake, and subsequently, by Tropical Storm Grace, which considerably hampered relief efforts.

We’re thinking of everyone in Haiti, and Anjunadeep will be making a donation to Health Equity International (formerly St. Boniface Hospital), a brilliant hospital in the region recommended to us by our friends Lakou Mizik. Health Equity International are both providing medical care to victims of the earthquake, and leading the COVID-19 response for Western Haiti.

If you are able and keen to support these vital relief efforts too, visit the @healthequityinternational website now, where they are accepting donations:

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