Music

Toronto’s Maya Killtron Pairs Sweet Lies With a Wicked Groove on ‘Receipts’ feat. Aquakultre

Album artwork reading “Receipts” by Killtron featuring Aquakultre, with vintage telephones and a typewriter on a desk

Toronto singer-songwriter, multi-instrumentalist, and producer Maya Killtron turns the volume up on accountability with “Receipts,” a sexy, confident new single featuring Halifax artist and 2026 Polaris Music Prize–shortlisted Aquakultre. Inspired by Maya’s experiences as a woman in the music industry, the track pairs a pointed message with a driving blend of funk, disco and house, pushing her ‘80s-informed sound into distinctly modern territory.

“In this industry we all have receipts,” Maya says. “We should use them more.” The sentiment reflects a guiding principle in her songwriting: saying the quiet part out loud. While previous single “Touch This Body” addressed the work required to keep long-term love alive, “Receipts” takes a more confrontational approach.

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“It’s the act of calling people out, saying their name, and standing on business regardless of consequence, as silence is always worse. I’m finally in my villain era,” Maya explains.

The musical collaboration for “Receipts” began after she came across Halifax producer Dalvay making a beat live on TikTok and immediately messaged him. He soon began sending ideas, revealing a shared musical language that brought the track naturally into house territory.

“Dalvay perfectly captures sonic elements from ‘80s funk and makes them future,” Maya says. “We’re inspired by the same people and music, so it just made sense.”

A live performance from Re.verse bassist Diomo provides the song’s signature opening and driving bassline, while Aquakultre’s appearance deepens its Halifax connection. The city holds particular significance for Maya, who found some of her earliest supporters, fans, and touring opportunities on the East Coast. “I will forever shout out the North End, The Seahorse, Charlie’s and Pizza Corner,” she says.

“Receipts” also nods to Maya’s earlier years fronting house and club projects and playing exclusively for dancefloors, bringing those roots into the funk, disco, and forward-thinking production of her current work.

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