Beacon are returning with another track from their forthcoming album, Along the Lethe, out September 9th via Apparent Movement. Pay My Debts is emblematic of the effortless genre-blending heard across the upcoming record: thick R&B grooves sashay through incandescent synth hooks and a tactile, rhythmic atmosphere. Brooklyn Vegan called the song “a dose of atmospheric, downtempo pop, and its video adds to its surreal, oblique darkness.”

On the single, Jacob Gossett & Thomas Mullarney III explain “The title of our new album, Along the Lethe, came from lyrics in the song “Pay My Debts.” The Lethe is one of the five rivers of the underworld in Greek Mythology and souls who drank from it lost all memory of their lives on earth. Forgetting can be seductive, and the Lethe offers a kind of absolution—not in the form of forgiveness, but erasure. The desire to transform the collective trauma of the last two years into a collective amnesia is one of the themes of our new record. The chorus in “Pay My Debts” alludes to an impending ecological disaster that’s followed the narrator even into Hades: “Something in the sky turns black, start another fire, I guess.” Despite the allure of forgetting, and the Lethe’s metaphysical power to do so, the spectre of the last two years is inescapable.”

Watch the Boy Tillekens directed video below, which he explains was inspired by the idea of “a Thomas Hart Benton painting coming to life.”

“Pay My Debts” is preceded by Ostrich, an enchanting piano piece that invites multi-instrumentalist Colin Stetson to weave a tapestry of horns and woodwinds into its gentle chords and swells of noise, and Can’t Turn Back“, an effervescent amalgamation of genres, timbres, and moods

Known for their simply intoxicating live show, Beacon are also announcing their North American fall tour, the duo recently announced their European run. All dates are listed below. 


Sep 10th – Brooklyn, NY @ Public Records

Sep 13th – Boston, MA @ Middle East

Sep 14th – Atlanta, GA @ Aisle 5

Sep 25 – Chicago, IL @ Schubas

Oct 6 – Montreal, QC @ Bar Le Ritz 

Oct 15 – Portland, OR @ Holocene

Oct 23 – Los Angeles, CA @ Lodge Room

Nov 15 – Haarlem, Netherlands @ Patronaat

Nov 17 – Budapest, Hungary @ Turbina

Nov 18 – Glasgow, UK @ The Hug &w Pint

Nov 19 – Manchester, UK @ YES

Nov 20 – London, UK, @ Nells

Perceptions of time and its effects have changed dramatically in recent memory. At some point in the past, four years might have been an average wait between new albums for a busy touring band like Beacon. But in our current post-quarantine, perma-pandemic reality, four years can seem to contain lifetimes, not all which we may care to remember. 

“I was haunted by this feeling of history intruding on our reality as lockdown descended on NYC,” says singer and producer Thomas Mullarney III of those surreal weeks in early 2020. ” I was reading a book called The Wake by Paul Kingsnorth about the apocalyptic aftermath of the Norman Invasion of England in 1066, written in a ‘shadow tongue’ combining old and modern english. This uncanniness followed me through the pandemic.” 

It was during this strange, illusive period that Beacon wrote Along the Lethe, their fourth full-length record following 2018’s Gravity Pairs. The Lethe (Greek word for Oblivion) is one of the 5 rivers of the underworld in Greek mythology. The newly dead who drank from its waters lost all memory of their earthly lives. Composed and produced largely in quarantine, Along the Lethe is an album as much about the allure of forgetting tragedy as it is the need to maintain our connections to the past. 

Its music is a vibrant reflection of the conflicts and contrasts inherent to rich interior lives set against the backdrop of an unseen external siege. Early in the record, “Pay My Debts” reckons with guilt and absolution while its weighty R&B cuts shapes out of the thick atmosphere, and later, “Nova” takes on a snappy disco edge amidst lyrics about letting go of what’s already been lost.

“I see Along The Lethe as Jacob and I preserving an extraordinary moment of our lives,” explains Thomas. “It contains the most difficult and exalted experiences we’ve had creating music together. Writing it down makes it impossible to forget.”

Along the Lethe could have only been born out of these unique circumstances. Both Thomas and Jacob found themselves chasing anxiety with fits of inspiration as they wrote. And after parting ways with their longtime record label months into the pandemic, their artistic bond was strengthened more than either expected. “Creatively, it felt like a magical time,” producer Jacob Gossett shares. While up in the Poconos at the start of quarantine, with nothing but his laptop and Minilogue synth, he broke a months-long musical silence writing demos upon demos and sending them directly to Thomas. “In some ways this was another fortunate side effect of what was going on,” Jacob says of his process. “I wasn’t bogged down by finding the perfect synth patch or kick, just very much in the moment and inside the initial spirit of an idea.”

These spirits—of ingenuity, dynamism, communion, reflection— joined early demos like “I’m The Answer” and “Show Me How,” to be conjured, captured, then contorted into 10 songs that deftly usher in a new era of Beacon. Lead single “Until Next Time” is a soft-glowing piano piece bolstered by the hearty backbone of hip-hop. Its genre-blurring tracks touch on slinky UK garage, ecstatic synth-pop, and avant-garde electronica, even as they wrestle with heavy lyrical themes like seduction of forgetting (“Oranges”)  and the ecological intrusion of disease on civilization, sourced from Malaria research (“Harm”).

Album closer “Mile a Minute” somehow feels both unsettling and life-affirming with its sunny tones and skipping arpeggios at odds with a surreal vocal appearance from Matthew Dear and Automaton-delivered  declarations of love. “How could I try to leave this?” Mullarney sings, “It’s everything that I want.” It’s no stretch to say Along the Lethe is Beacon’s most eclectic, expansive album to date. As Jacob describes it, “It feels like a record without restraints.”

Along the Lethe arrives on September 9th, 2022 on the band’s imprint, Apparent Movement. 

Along the Lethe Tracklist:

01 Until Next Time

02 Oranges

03 Pay My Debts

04 I’m The Answer

05 Can’t Turn Back

06 Ostrich (feat. Colin Stetson)

07 Nova

08 Show Me How

09 Harm

10 Mile A Minute (feat. Matthew Dear)