Ghenwa Nemnom is a Lebanese musician and electronic music producer known for her mastery of the Qanun, a traditional Middle Eastern string instrument. Ghenwa’s passion for music ignited at the age of eight when she began her musical education at the National Lebanese Conservatory. There, she developed her technical skills and deepened her understanding of music theory.
Her journey continued in the United States, where she studied Arts & Science at Oakland University, broadening her musical horizons through exposure to diverse cultural influences. This experience enriched her approach, making her music more global and eclectic.
Ghenwa has traveled extensively, absorbing musical traditions from around the world, including African and folk music, which have significantly influenced her work. Returning to Lebanon, she dedicated herself to modernizing the Qanun, blending its rich, melodramatic sound with genres such as deep house, classical, and groovy rhythms. This fusion is evident in her widely acclaimed track “Echoes of the Temple,” premiered at the Baalbeck Festival.
In 2022, Ghenwa launched her own record label, Astarte, to gain complete artistic freedom. Her music is featured on prominent labels like Café De Anatolia and Alt Orient and has reached audiences globally. Her latest release, “Story of a Battle,” merges modern classical elements with melodic house, showcasing her innovative spirit and commitment to bridging traditional and contemporary sounds
Can you share more about your early experiences at the National Lebanese Conservatory and how they shaped your musical foundation?
I began my journey at the National Lebanese Conservatory at the age of 8, where I honed both my technical proficiency and musical sensibilities. The Conservatory’s diverse curriculum exposed me to a wide spectrum of music, ranging from classical compositions to oriental melodies, while providing a robust foundation in musical theory.
How did your time studying Arts & Science at Oakland University influence your approach to music and artistry?
Studying Arts & Science at Oakland University afforded me the invaluable opportunity to interact with individuals from diverse cultural backgrounds, profoundly influencing my approach to music. This exposure broadened my musical horizons, encouraging a more globally-inspired perspective in my compositions and artistic endeavors.
You’ve traveled extensively to explore different music and art forms. Which cultures or musical traditions have had the most profound impact on your work?
Originating from Lebanon, oriental music initially shaped my artistic expression. However, my explorations across continents introduced me to rich traditions such as African rhythms and folk melodies, each leaving an indelible mark on my creative journey.
The Qanun has a rich history. What drew you to this particular instrument, and how have you incorporated its historical significance into your modern compositions?
Introduced by my father, a Lebanese artist, at a young age, the Qanun captivated me with its intricate 81 strings and status as the “piano of the Middle East.” By integrating its ancient melodies into contemporary music, I sought to illuminate this traditional instrument’s cultural significance and timeless appeal.
You’ve blended the Qanun with a wide range of genres, from Oriental to Deep House. What challenges and rewards have you encountered in this creative fusion process?
The main challenge lay in gaining acceptance from Middle Eastern audiences for this innovative fusion. A breakthrough moment arrived with my track “Echoes of the Temple,” premiered at the prestigious Baalbeck Festival, which resonated widely from East to West, showcasing the potential rewards of cross-genre experimentation.
How do you see the role of traditional instruments like the Qanun evolving in the context of contemporary and electronic music?
In today’s music landscape, artists increasingly integrate traditional instruments like the Qanun into contemporary and electronic genres, reconnecting with musical roots to imbue modern compositions with authenticity and cultural depth, appealing to diverse audiences worldwide.
Can you tell us about your recent single “Gaia” on Scorpios Music and the inspiration behind it?
“Gaia” draws inspiration from the concept of Earth as a living entity, emphasizing interconnectedness across all life forms and ecosystems. Through this track, I aimed to evoke reflection on humanity’s relationship with our fragile natural world, urging listeners to appreciate its beauty and value.
You’ve released tracks with global record labels and performed at high-profile events. What have been some of your most memorable collaborations or performances, and why?
Collaborating with renowned Lebanese music producer Sleiman Demian on “Echoes of The Temple” holds a special place in my heart. This track exemplifies how blending classical, oriental, and electronic genres can bridge cultural divides, reinforcing the notion that music transcends borders. Additionally, performing at Scorpios was memorable as it felt like a sanctuary for my unique sound.
What are your future goals for your music and the Qanun? Are there any new genres or projects you are particularly excited to explore?
Currently, I’m immersed in several new projects and collaborations, experimenting with blending the Qanun into genres such as Afro and Latin house. I’m particularly excited about these explorations, aiming to push boundaries and expand the Qanun’s presence in contemporary music scenes worldwide.