British-Italian artist Piers Faccini today announces his new album ‘Shapes Of The Fall’ for release on April 2, 2021 through Nø Førmat! (Oumou Sangaré, Blick Bassy & Mélissa Laveaux) / Beating Drum. Featuring collaborations with Ben Harper and Abdelkebir Merchane, ‘Shapes Of The Fall’ is Faccini’s seventh album in a career spanning over twenty years and collaborations with the likes of Rokia Traoré, Ballaké Sissoko and Vincent Segal. The announcement arrives alongside the first track lifted from the album, ‘The Real Way Out’ – the audio & lyric video are now available to stream from here.
WATCH THE NEW VIDEO HERE
In the Gabriel Garcia Marquez story A Very Old Man with Enormous Wings, the author reflects on the opposing facets of human nature, like the two sides of a spinning coin landing randomly either on cruelty or compassion. Faccini’s new album ‘Shapes Of The Fall’, speaks of something similar – asking, which part of our nature will prevail in the modern world; will we, as the very old man with broken wings, learn to fly again or are we destined to fall? It’s an unsettling question which permeates tender new single ‘The Real Way Out’ – a consideration of regret and sorrow that is nonetheless leavened with a real sense of hope. Speaking about the new track, Faccini says; ‘The Real Way Out’ is a love song to life itself in the shape of an enigma, the unsolved mystery being, the impossibility of reconciling a perfect love with our imperfect identities.
Recorded live in a farmhouse studio in the French countryside, co-produced by Fred Soulard – ‘Shapes of the Fall’ draws heavily on Faccini’s own ancestry, on southern Italian, Arab-Andalusian and Sephardic modes and rhythms, bridging southern Europe with the Near East and Africa. Beginning with his fascination with Tarantismo from Puglia and the last known example of trance ritual and music in Europe, the album crosses the narrow straits of the Mediterranean, accompanied by two Algerian brothers and master instrumentalists, Malik and Karim Ziad, to interplay with trance traditions in the Maghreb and in Berber and Gnawa culture.
The songs on ‘Shapes Of The Fall’ – with string quartet arrangements provided by Spanish composer Luca Suarez – are steeped in rhythm, blending Faccini’s custom-made hybrid fretless instrument, the guitar-oud, bender & tamburello frame drums, karkabous castanets and handclaps to compelling effect.
As a whole, ‘Shapes Of The Fall’ is characterised by an elegiac quality – a thoughtful collection of songs with parallels not only to humans’ destructive effect on the ecosystems of the natural world around us, but also to the internal monologues of our own lives, our own reflections. How have we strung the beads of our lives together? What choices, what actions will determine our rise or fall?