Haskell has carved out a reputation as a rising force in the underground electronic music scene. Known for his raw, groove-driven productions and relentless energy behind the decks, his sound fuses chunky basslines, skippy percussion, and atmospheric melodies that resonate on dancefloors worldwide.
Drawing inspiration from UK garage roots and contemporary house, his tracks have found homes on respected labels like Toolroom and InRotation, earning him a place among the next wave of artists shaping the future of house music.
In this interview, Haskell opens up about the evolution of his sound, the creative breakthroughs that have defined his journey, and the techniques he uses to stay ahead in an ever-evolving scene. From the story behind his latest track, “Through the Night,” to the invaluable mentorship of Mark Knight, he shares insights into the mindset and work ethic that drive his craft.
With plans for big releases and a focus on deeper, more immersive live sets, Haskell is poised to make 2025 a defining year.
Can you walk us through your creative process when producing a track? Do you approach it with a particular mood or story in mind, or is it more experimental and spontaneous?
My creative process usually starts with inspiration from two or three reference tracks of a specific genre or vibe. The idea is to use them as a reference point while aligning the sound with my personal style—skippy drums, chunky basslines with movement, solid kicks, and rhythmic melodics that all work together seamlessly.
I aim to make every element of the track captivating. Sometimes, it’s just referencing a vocal or the way someone constructs a build. From there, I experiment with different techniques I’ve learned online, seen others use, or discussed with engineers. It’s all about applying what works for the track.
What aspects of electronic music production have been the most challenging to master, and how have you worked to overcome those hurdles?
For me, the most challenging part has always been finishing a track completely and having the technical skills to bring my ideas to life. I often have a vision for what I want, but translating it into reality can be tricky.
That’s why I’ve taken several production courses—I’m currently doing my fifth one with Toolroom. These courses have been invaluable for building my technical know-how and improving my workflow.
What’s a personal breakthrough moment you’ve had in the studio, either in terms of creativity or technical skill?
One of my biggest breakthroughs was during this current course, where I’m working on eight tracks simultaneously. Each track is different but still rooted in my unique sound. It’s been a chance to experiment with techniques and improve in areas I used to struggle with—like basslines, melodies, and track arrangements.
Drum grooves were always my strength, but other aspects needed work. Now, I feel like I’m making real progress in those weaker areas.
Your upcoming single, “Through the Night,” blends your style with the iconic sound of DJ Luck & MC Neat. How was it putting your own spin on such a seminal tune?
My love for music started with garage, and it took me a while to realize why I was drawn to the sounds I like. When I worked it backward, I saw it was because I grew up on tracks by people like DJ Luck & MC Neat. Their music, especially “A Little Bit of Luck,” is so tied to my childhood.
“Through the Night” was the first track I started working on with D Ramirez. We put a lot into it before sending it to the guys, and their response was incredible. They loved it and encouraged me to get it signed, which was such a proud moment for me.
Your relationship with Mark Knight is well-documented. What’s been the most surprising or challenging aspect of working closely with him?
Honestly, there haven’t been any challenges. We get along really well. The only issue is finding time to be in the same place together.
Mark has achieved everything I aspire to, and he’s now in a more relaxed phase of his career, while I’m still full of hunger and drive. He often advises me to slow down, take my time, and plan things properly. It’s great to have someone like him to learn from, and I really value his advice.
What role does technology play in your music production, and are there any tools or techniques you consider essential to your process?
Technology is really important for me. I didn’t grow up using analog gear; my entire process revolves around my laptop, Ableton, and headphones. Sampling plays a huge role too—whether that’s sampling other tracks or working with sample packs.
With these tools, I can create music wherever I am. My setup is simple but effective, and I’m rarely without it.
How do you stay inspired and continuously evolve your sound in an industry that’s constantly changing?
For me, inspiration is never a problem. I have a burning desire to succeed, and making music is the key to performing as a DJ at the level I aspire to. I focus on what I can control and treat this with the same discipline I had as a sportsman.
It’s about creating opportunities to play the venues and lineups I want, and music is the vehicle that will take me there.
What’s in store for Haskell in 2025?
In 2025, I’m going to be releasing some big tracks. I’ve got releases lined up on Nervous and InRotation and plan to get more music signed. I also want to focus on gigs and traveling, especially in the U.S.
My goal is to perform for crowds that really engage with my music, as opposed to more general party audiences. It’s about connecting with people who truly appreciate what I do.